His name is Patrocinio. He has a pretty wife, three
kids, three burros, 30 to 40 goats and a few sheep. He has the reputation
of being the best violin maker in Mexico's Copper Canyon.
Patrocinio is a Tarahumara Indian. He is also a successful man. He owns
two houses—a winter house located in the bottom of the canyon,
only a two-and-a-half hour hike from the town of Batopilas, and a summer
house at the top of the canyon, a six-hour hike from the village of Samachique.
Both of his houses are typically Tarahumara. They are made up of a combination
of loosely fashioned together materials, mostly hand-hewn timbers, adobe,
and piled up stones, with a wood shake roof. They have one room for eating
and sleeping and one storage room. Outside the house are a corn crib
and a work shed where Patrocinio crafts his violins. Furnishings are
simple; the family sleeps on straw mats and cooking is done over an open
fire.
Like most Tarahumara, Patrocinio is a subsistence farmer. He feeds his
family by growing corn, beans and squash. During the slow season he has
time to devote to his true love—making his violins. He sells the
violins to other Tarahumara, who highly prize them, and to the Mission
Store in Creel, where they are resold to the tourists. The sales provide
him with cash to purchase the store-bought items that the family needs,
such as coffee, lard, salt, sugar, matches and cotton cloth.
Patrocinio's wife, Aurelia, is a homemaker. She cooks the meals, washes
the clothes, cleans the house and tends the children. She also makes
and sells baskets to supplement the family income.
His three daughters, Marca, Felicia, and Paola, ages 5, 4, and 2, also
have their jobs. Six times a day they hike the 500 yards to the gorge
with buckets on their heads to fetch water from the stream; often the
2-year old is carried in a shawl on her older sisters back.
The girls are also responsible for keeping the goats out of the cornfields.
They are experts at throwing rocks which land alongside any goat who
gets too close.
The goats are very important to the feeding of the family—but not
as a source of meat. At night they are kept in a small portable log corral.
The corral is set up over a dormant field and every few days is taken
apart and moved along the rows. In this way the fields are fertilized
and are ready to be planted for next years crop.
Around 1300 miles northwest of Patrocinio's home is the home of California
Native guide Doug Stewart. Doug is a friend of Patrocinio's.
The two men met during the Kórima food program which Doug and
his partner, California Native guide Lynn Reinecke, instituted in the
winter of 1983 to help the Indians survive the previous years crop failure
(California Native Newsletter, Summer 1993). Since both Doug and Patrocinio
are craftsmen—Doug specializing in woodworking and ceramics—they
became good friends. Doug now visits Patrocinio and his family several
times a year.
When Doug first met Patrocinio, Patrocinio's violin making tools consisted
of three cheap Mexican pocket knives, a hacksaw blade with a rag wrapped
around it, an awl made from an old nail, an old spike filed into a chisel,
broken glass used for scraping, a bent knife made from a car spring,
and rope and pieces of wood for clamps. With these makeshift tools Patrocinio
produced six violins a year.
After his first visit, Doug consulted with American violin makers and
studied the techniques and tools needed to produce hand crafted violins.
On his subsequent visits Doug brought Patrocinio gifts of quality violin
making tools: high carbon steel knives, chisels, gouges, saws, awls,
twist drills and planes; violin clamps, a diamond sharpening stone, sand
paper and varathane varnish.
With the new tools, the quality of Patrocinio's violins as well as the
quantity he can produce have greatly improved. He now makes twice as
many violins in a year and the extra revenue benefits his family.
Patrocinio has given Doug some of his finest violins—a gift, which
to Doug, cannot be valued in terms of money—a gift of friendship
and mutual appreciation between two people of widely different cultures.
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